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In the harsh winter of 324, a dazzling cavalry officer from the Roman Imperial Guard stop his horse in front of a nearly naked man, then take from his shoulders his immense white cloak, made from two pieces of fabric, one lined with sheepskin, and separate the two parts with his sword to make the unfortunate wretch warm. His charitable gesture contains all the force of this emblematic character from the dawn of Western Christianity.

In 2016, we shall be celebrating the 1700th...

A CRAZY HOPE // 52' - 2015

This crazy dream belongs to a man who almost lost his mind, and who, having recovered from his own illness, has devoted himself to helping the poorest of Africa’s sick: the insane.

In the big cities of Africa, the mentally ill can be seen wandering the streets, yelling and shouting, often completely naked and feeding here and there on waste. In the countryside, their helpless families respond by chaining them to trees, so that they cannot leave, hurt anyone or disappear.

UN GRAND BOL D’AIR PUR // 30' - 2013

Jean, 40 ans, divorcé, retrouve ses deux enfants pour un week-end de randonnée qu’il a lui-même organisé et qui ne se déroulera pas aussi bien que prévu. UN GRAND BOL D’AIR PUR est un récit d’aventure, sans aventurier. En arrière-plan de cette histoire se dresse le portrait d’un père de famille, divorcé, pris dans un engrenage et dépassé par les évènements qui s’enchainent implacablement.

Jean ressemble à ces hommes qui n’ont pas su, ou pas pu, s’inscrire dans un schéma familial...

GOUDJI, SACRED ART ! // 52' - 2011

Goudji, the goldsmith dearly beloved by bishops and Academicians, is known in artistic circles as a creator who defies classification: gold working would seem to be a forgotten art, but yet, impressed by his talents, numerous museum curators have opened their doors to him. Goudji is the first artist to have designed a collection of jewellery for the Louvre Museum. Influenced by the great western myths and long-gone civilisations renowned for their artistry, his skill as a goldsmith, his...

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